Coupling the digital back with Hasselblad’s smallest medium format camera body ever, the 907X, creates a very sleek, compact package. Couldn't they find someone with better looking hands? This is how all medium format backs work and have worked since the beginning of digital capture. Alongside the X1D II 50C , Hasselblad announced the CFV II 50C digital back and 907X camera body, a modern take on one of the most iconic film cameras ever made.As part of … The population is larger than in 1987 and more relevantly the population of people who can afford cameras is far larger. one with half the area of FF. Got bought by Phase which didn’t need the design since their/Mamiya bodies didn’t do 6x6. But, as I said, I see very little value in a 44x33 crop sensor for my old Hasselblad equipment. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing around $2000 and recommended the best. I almost always use a camera support. On early phase, leaf, mega vision, etc. And this is the sad thing here. Hadn't noticed, but you reminded me of something: a student of mine was a part-time hand model, she informed me. I think, if Hasselblad arrange “Full size model” of digital back with same as 6X6 size, the selling price can be not less than 1.1 million USD. "The current error is making lenses that only fit the 33x44 sensor as opposed to more of a one-size fits all approach"Hence imitating - it's an entirely different system with the only thing in common being the external design. As you get bigger fitting square or rectangles into a large circle not only reduced how many sensors share the cost. They don't. My Mack’s have usb-c. You can connect 5–k monitors, now 6-k monitors, with the format. In my case, I use follow lenses for Hasselblad 503CX to create the traditional printing with wet processing; In the past ( 50’s to 80’s), it was impossible for amateur photographers to utilize such expensive lenses for professionals. Combining a 37MP full-frame sensor, minimalist controls and Lightroom Mobile built in, it's a refreshing – if a bit quirky – take on the smartphone-meets-camera concept. It's a niche (and pricey) product to be sure, but so far we find it to be well-designed and capable of outstanding results. But, I would say, that is what it takes to make this beautiful back really interesting. So with the back you get the best of both worlds... you can breathe much better life into a, say, 503cw or take advantage of the newer lenses via the 907 adapter (a’hem.. “camera”)... and use much higher sync speeds and no huge flapping earth shaking mirror. but i completely agree about cropping - square lets us (or the client, etc) decide the final format. They never used to either. While they were out shooting their video about Sigma's new lenses, Chris and Jordan filled up a memory card with photos from the 35mm F2 DG DN using Panasonic bodies. Not that it is definitive but on the Hasselblad website they show a video and still image of a photographer using the equipment on a beach. quite a few years ago i had an rb67 mamiya. Ergonomics means designed to fit the human body. Long time ago (80's) I entered in photography career with a 500CM. The question about it only shooting 'landscape' orientation on a V series is hard to ignore. Of course for a modular body, we could have a pivoting hand grip and/or split body where all the control group rotates with your hand - though that too involves some complexity. For me it sounds more like a scream for attention. @shrpbokeh You seem to be ignoring the shapes that most people want for most images, who would require cropping almost every image taken with a square sensor: 5:4 to 3:2 and beyond is where most compositions are (outside of Instagram!). There are two types of V series. It was simply an example. Such one touch operation is impossible for analogue cameras of NIKON F series, Canon EOS series and Leica M seriece once you put 135 film into them since the film fixation portion is not cartridge look a like as V series of Hasselblad. Actually I think this is one of the worst bodies I've ever seen in years. #4 Oh come on, with the expected high price, the IO port compartment door should be mechanically hinged with solid plastic and rubber sealed, not like this flappy rubber shenanigans. So overall, this offers an upgrade path of sorts to System V veterans. Hasselblad currently has several different lens mounts and most of them have little to no cross-compatibility features. Well you can move the sensor but if you're not shooting still lifes or architecture you're going to get artifacts. The CFV II 50C features a brilliant 3.2in 2.36M dot tilting rear display with full touch support and Hasselblad’s renowned user interface for settings, image review, and menu navigation. The reason that a back like this is appealing is that it hopefully won’t cost a fortune. Sure there are flaws but let's not kid ourselves into thinking that this traditional design doesn't have ergonomic appeal to certain users. The app includes automatic image transfer, gallery creation, editing tools and more. But of course, it is still excellent lenses produced by Carl Zeiss. The future of the dedicated camera market will still largely be the higher end stuff: pro level equipment and stuff for more affluent higher level enthusiasts. The lower and mid-range ILC market will still exist. Shooting with film might be still OK. I know what the multishot does I have a couple H6D 400c MS's in the studio right here. The X1D II 50C’s upgraded electronic platform includes a brilliant 3.6-inch 2.36-million-dot touch display and an enhanced OLED electronic viewfinder (EVF) with 3.69-million dots and a high magnification of 0.87x, both featuring a higher resolution, a faster live view refresh rate, and an even quicker and intuitive user interface control. The 45 degree finder would be practically impossible too. Hasselblad has always had "upscale" cameras. 907X Camera and CFV II 50C Digital Back; 50MP 43.8 x 32.9mm CMOS Sensor; 16-Bit Color, 14-Stop Dynamic Range; Hasselblad Natural Color Solution One simply has to ask if they’d prefer the loss of the megapixels or the dollars. This means that just today, my ( and your ) traditional Hasselblad V series camera suddenly become the latest advanced digital camera. The CFV II 50C is an updated and refined digital back featuring a classic V-system interface for use on the included 907X as well as virtually any Hasselblad V camera from 1957 onward. Hmmmm....since Fuji stopped production of their FP100c peel apart film there is no one making professional peel apart instant film any longer. It doesn't need to be 100mp, it doesn't need to be 75mp but please fill the frame! But in advance, I should visit the service office of Hasselblad Japan and ask and confirm with them about this concerning point. Accessories included with CFV-50cs for sale are: If such a back would be made today, maybe it would be possible for $60K, probably more. S. These "medium format" sensors are all 4:3 shape, not 3:2, I agree that 3:2 is a bit too wide and shallow, and got locked in by the historical accident of how Leica adapted the 24mm-wide emulsion of 35mm movie film for use in still photography. the hot mirror filter was always exposed and easy to clean if there was ever a dust issue. According to the shooting scene and the condition, I can change the A12 film magazine as if I have three cameras with different films. The CFV II 50C digital back, with its 50-megapixel CMOS medium format sensor, connects with classic Hasselblad V System … It's available in Canon EF, Fuji X, Leica M, M42, MFT, Nikon F, Pentax K and Sony E mounts and the first units are expected to ship in January 2021. Sure? Look again. Le dos numérique moyen format CFV II 50C est équipé d’un capteur CMOS 43,8 x 32,9 mm de 50 millions de pixels. I found this one, but a little expensive. for the mass market. These capable cameras should be solid and well-built, have both speed and focus for capturing fast action and offer professional-level image quality. At any age you either have your health or you don't and you're screwed. Being that they are working with a third party sensor, it probably wouldn't be cost effective, however, I would think they could easily implement some sort of aspect ratio crop similar to what we see on a lot of mirrorless cameras these days. At other times I can use a tripod with ease by flipping out the viewing screen. But the cost aspect might be considerable driving force to buy it. The lens, with a 35mm-equivalent of 25.5-105mm, will be available in mid-January for $799. But the advantage is you'd get the look and feel of a larger sensor... you'd get that 6x6 DoF, etc. The Hasselblad SWC (super wide) film camera had a run from 1954 until 2009. @Nicholalala: "Nobody has been able to make a full medium format sensor.". Size = 6200 x 8272 = 51,286,400 pixels. I use on for video, but once for a "selfie" when I needed a quick ID photo. It is still as M43 sensor . Still prefer traditional wet process in case of monochrome photo. With smartphones gobbling up the market for everything else, what will be left will be pro level equipment and other high end products for enthusiasts. I come into contact with a fair number of pro photographers, and I haven't heard one of them mention using a Polaroid back in 15 years. With the CFV II 50C digital back and the 907X camera body, Hasselblad’s photographic history is connected in one system. 44x44 instead of this 44x33), making the sensor and camera significantly more expensive. The only difference now is that these types of cameras are being introduced with the latest in camera technology, specifically mirrorless technology. You can use it remotely, at any angle, and in broad daylight. Buy a Kodak! ;). Have a look. What types of CFV-50c accessory kits are available? I believe there's quite a bit of distance between this sensor and the one in the 100MP PhaseOne... Dual SD in 9102? :Its absolutely still a good sensor & will still be another 5 years on. Almost every Polaroid back used by pros in the studio used Polaroid pack film, and that kind of Polaroid film is no longer made. One is SW ( Supreme Wide) series, of which lens is fixed with the excellent Biogon by Carl Zeiss. Cool looking MF camera. One simply has to ask if they’d prefer the loss of the megapixels or the dollars. The article refers to the Olympus OM-D. Good travel cameras should be small, versatile, and offer good image quality. "We are seeing the dedicated camera market transform itself and move upscale right before our very eyes... the Leica Q2, the Fuji GFX-100, and now the Hasselblad X1D mark II, and in some measure this CFV II 50C and 907X combo". 'What's the best mirrorless camera?' The D850 would be okay, except it only works with Nikon lenses - 50 MP in a 12 MP universe. To have a small sensor cover a 56x56 sensor size., it would have to shift to cover the full 56x56mm. Very beautiful. The current ILC market is projected to shrink to at least half of today's size. So pour a tall cold one and get ready to treat yourself, 2020 style. Very interesting piece of engineering. Expand the potential of medium format photography with modularity and flexibility while utilising Hasselblad's renowned and stunning image quality. Sending it back. I shot quite a bit with an A16 back with Ektachrome simply because Superslides would fit in Kodak projector. Size = 6200 x 8272 = 51,286,400 pixels. The current error is making lenses that only fit the 33x44 sensor as opposed to more of a one-size fits all approach (More expensive/less expensive in the long range to those upgrading to larger sensors). It simply isnt, at least not to me. Now, three months later, the company has confirmed in a statement that the personal information of past and current employees was taken from its servers. No different from any other time in camera history. Interesting stuff, and I’m sure Hasselblad does it better at 8 times the price. I thought they were "taken over" by Phase One group and perhaps stopped trading in Mamiya name.Well, if they are still around, they can make digital version of Mamiya 6 or 7. We've combed through the options and selected our two favorite cameras in this class. Something about "'old' (and rich) customers". Hey Mamiya! I really want this one. Then again, hard-earned cash for people with disposable income to buy a camera like this, is actually not an issue. If you're looking for a high-quality camera, you don't need to spend a ton of cash, nor do you need to buy the latest and greatest new product on the market. I'm seriously asking. Can the large sensor tolerate shaking mechanism (as in m4/3 camera)? On the contrary actually. In 2020, I would like to purchase one gear among Cano EOS R5, R6 or 5D Mark V. Then in 2021, would like to select Leica M10 Monochrome or Hasselblad CFV II 50C. We've already seen medium format sensors that consisted of a number of smaller sensors pasted together. No that's kind of hard. APS-C model has relatively smaller surface area of image sensor. Plus, Pentax equally has wonderful glass for it. It would be just enormous fun to pair this back with a 503. At waist level the screen will be against your body and will easily be obscured by clothing, and you can't brace it against your body to steady it in the same way as a film/digital back. And the M does have a simplified menu system, and again, overall exudes simplicity of operation. Some Pentax cameras can use sensor motion to create images from a larger virtual sensor area. It gives you more pixels, but it doesn't give the effect of a larger sensor area. Pure junk. D850 Will cost you big bucks. It will be months before production versions are available that Hasselblad will lend out to reviewers for testing. Total overkill but fun like the 60's when we did use Hasselblad for events and receptions. We see it happening now with the new releases. Read our full review to find out how it performs. Il peut être associé à la plupart des appareils photo du système V d’Hasselblad fabriqués depuis 1957, en plus des chambres numériques, permettant de passer facilement de … CFV II 50CDATASHEET Camera Type Medium Format Digital back for V System Cameras. In our latest buying guide we've selected some cameras that might be a bit older but still offer a lot of bang for the buck. Does anyone know when will this CFVII available. He never mentioned. It had the focalplane shutter. The famous legendary square format . Look at Leica M's. A new CFV II 50C digital back will attach straight to your old 500CM to give your analog SLR 50 million pixels. The CFV II 50C back uses the same 50-megapixel sensor as the X1D II and is compatible with V System cameras dating back to 1957. If you have Zeiss lenses then you're better off with a film body than the 907X and an adapter because it has a proper viewing system. Because ;. But the cost aspect might be considerable driving force to buy it. Alas, I can’t afford one. The 907X has the X lens mount but it can also be used with other lenses from the Hasselblad H and XPan system via adapters. Tamron has announced its 17-70mm F2.8 Di III-A VC RXD lens for Sony APS-C bodies. There's always someone who is willing to pay more. I was very disappointed. The printing is really nice. That more futuristic black lens do not make it full justice though. With an optional grip with an attached EVF and hotshoe this would be a very fun event camera. If it is, it's misplaced -- I'm having the time of my life buying endless gear and going outside with it. Anyone has different ideas. Depending on which system you're in and what your needs are, they might just be the compact, well-priced and impressively sharp little primes you've been looking for. Exposure was also set ahead. Well, the thing is, nobody cares about Leica's ergonomics because of their design and glass. The camera itself is pretty much a cube, obviously it depends on how things are laid out but I'd be curious how much it effects ergonomics to just rotate the camera in your hands. https://t.co/2huoG8V8jo#HasselbladExperience #HasselbladCFV pic.twitter.com/OKXFVJsWZy, In 1940’s, Dr.Victor Hasselblad launched the 1st medium format Single-lens reflex camera with 6X6 medium format as 1600F / 1000F series. But it has digital image sensor to record the scene of your shot. The back is exciting in as much as it is designed to work with V-system film camera bodies to bring them into the modern age: even some of the earliest Hasselblad models from the 1950s. What makes this version much more exciting though is that is also designed to couple with a new 907X body that accepts the X-series lenses – so the CFV II 50C back is a gateway not only to digitizing older classic bodies, but also to using the new X lenses in a smaller, classic-style format. Not same as the 6 X 6 size of 120 film. This product hasn't been reviewed yet. It seems most suited to tripod shooting in low light - so maybe it would be good for product-type or interior work but I'm not sure what else. But lets say that I can say whatever price I want, even if it is not realistic? That is exactly how it gets 50mp handheld and 80mp tripod images. ;-). We're glad you asked. The trainer versions was used by NASA to train the astronauts for the moon missions. It would be great for studio or closeup work at odd heights or angles. Photokina has announced via a press release that after 70 years of shows in Cologne, Germany, it will be indefinitely suspended due to 'decreases in the imaging market’ that have ‘force[d] a hard cut.’. Ce dernier se greffe simplement sur le CFV II 50C et permet d'apporter la compatibilité des optiques modernes "système X" au dos numérique. Look at the most exciting cameras released so far this year: the Leica Q2, the Fuji GFX-100, and now the Hasselblad X1D mark II, and in some measure this CFV II 50C and 907X combo. Using zone focus, I could walk up, swing open my coat, and take a photo. Similarly if you are working solely with static subjects, having a sensor move around the image area to basically stitch a panorama inside the camera it also a possiblity having an APS-C take 12 shots moving the sensor around or even a 44x33 taking 4 shots could get you a 56x56 imaging area. Wait until the end of time for the perfect camera, or go buy something and shoot. In my case, whenever I go shooting with Hasselblad 503CX, I bring three A12 film magazines, which I put the different types of film, for exapmle, ISO 100 & 400 monochrome film and some color film. The HDMI port has to stay! This would be ridiculously difficult for a very small benefit. It is, however, very comfortable to hold and pretty simple to use. Hasselblad V series cameras has film magazine with 6 X 6 medium format film size, while the majority of the film camera use 135 type film. Hey LoneTree1, does this look like something that would be OK with you? Do people find a square body with no grip a bit difficult to use? I mean at the stores in Japan you still can find Mamiya (new and used) And you still can see them being used in the wild (by mostly older Japanese men.). Expand the potential of medium format photography with modularity and flexibility, while utilizing Hasselblad's renowned and stunning image quality. Shooting landscape with the XCD 21mm f/4 and 30mm f/3.5 wide-angle lens, will be A-OK . Flippy screens can be convenient, but they don’t tilt the controls for comfortable work when the camera is held at the waist level. couple it with an IBIS unit for practical reasons. I backed the One Instant initiative on Kickstarter hoping that Florian will be successful in resurrecting this interesting film format. I believe the images have to be combined manually in post, but if you're working with a sturdy tripod and an automatically aligning software, that last step should be very straight-forward. This will cost you big bucks. https://www.hasselblad.com/cfv-ii-50c-907x/. Hasselblad Natural Colour Solution technology is integrated into the camera’s system, delivering superb, true-to-life tones that match what … Otherwise I think we can all agree that the X1D is the better buy, and better value for money since there's a sensor inside - one of the pricier components in a camera! If you want a digital TLR, then the sensor must be 55x55 mm. Probably, it looks pretty good, right shape. It's just the first photo in the article that kinda looks like the lytro. These where black and made of cheaper materials than the ones going to the moon, otherwise they where identical. ;)Also at 38MP square on this you are scarcely suffering. Combining its iconic aesthetics with a chrome edge body finish in addition to modern technology, the CFV II 50C gives a nod to Hasselblad’s history combined with the brand’s world-renowned image quality. More sensible then to continue use my K-1. 1600F / 1000F series wrere difficult to adapt into the new requirement. Hopefully Hasselblad won't over-price it as that's a pretty small market. Hasselbad should make/use a 1:1 sensor and if the lord of medium format make the sensor 5.6mm X 5.6mm , allelujah !!! Regardless, the hopes and dreams of this thread are impractical with respect to technology, cost, and usage. into the details of using a camera who begrudgingly bought a camera to take pics. It would be easy to use HDMI to facilitate live view without a computer, in the studio or in the field. So to assume that there will be nothing but "pro level" camera equipment in the market is simply absurd. It increases waste (square sensor, round wafer leaves a lot of empty space if you only make 1-2) and if a single spec of dust lands on a sensor, that sensor is not good. I'd use this camera mainly on a tripod anyway. Agreed. To avoid that, the sensor would need to be as wide as the oblong ones and higher (e.g. Choose 1:1 and then you get your square. Again, it is the exact same thing that happened in the world of audio. a well crafted product with status and a huge history behind it. The selection of brownie color film (120) is limited. It will simply exist in the quantities that existed back in the film era. It’s just not hard to use. Here a many people using the square Hasselblad. In case of digital camera, like Canon EOS series originally from 135 film camera, there are “Full size model” and APS-C mode. If it is not square, it is only a curiosity. The 65mm T2 completes Vazen's set of anamorphic lenses for the Micro Four Thirds system. If you want a big sensor (56x56mm) it will cost more money than anyone outside of the Department of Defense will be willing to pay. Same as this, the image sensor of CFV II 50C is smaller than 6X6 with similar reason as above case, I guess. One of the most well-known professional senior photographer, Mr.Koichi Akagi, is reporting about CFV II 50C. The Primoplan 75mm F1.9 II is a redesign of the original Primoplan 75mm F1.9 designed in 1936. Shifting a smaller sensor a larger distance to cover the area of a larger sensor, you don't get redundant data so you don't get the ability to ignore areas of difference. Sure lower/mid range ILC will exist but I would not be surprised to see it so shrink that it's smaller than 1987 size. Only the 90 degree finder would make compositional sense. Think of how much cost goes up from APS-C (let's $450 on the cheap end) to 135 ($1300 on the cheap end) to 44x33 ($5500 on the cheap end) to 53.4x40 ($28,000 on the cheap end).

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