Happy End is no exception. It hardly needs saying that the adjective in the title is about as accurate as the one in Haneke’s Funny Games. Tim Robey, Film Critic 30 November 2017 • … No sería la primera vez que nos topáramos en una película de Haneke con algo que de repente se desmorona sin que previamente mediara un motivo aparente para ello. Saltar al contenido principal. ‘Happy End’ Review: A Bleak and Twisted Comedy From Michael Haneke [TIFF] Posted on Saturday, September 9th, 2017 by Chris Evangelista Michael Haneke is not known for light-heartedness. One thing that “Happy End” does have in common with its predecessors is the high level of quality performances. Yet here there is an intriguing new tang of comedy or even grisly farce. Prueba Prime Hola, Identifícate Cuenta y listas Identifícate Cuenta y listas Pedidos Suscríbete a … Like many of Mr. Haneke’s films from the past two decades, “Happy End” is set in France and features a mostly French-speaking cast. Meanwhile, Anne’s brother Thomas (Mathieu Kassovitz) has secrets of his own and must now look after the 12-year-old daughter of his previous marriage and accept her into their creepy manorial family compound. El desconcierto preside los primeros compases del film, una extraña grabación desde un teléfono móvil en la que uno de los personajes retransmite para las redes sociales hasta el más mínimo – y escatológico- detalle de su privada cotidianeidad. 2006 San Francisco. One of the strangest and most dysfunctional families I’ve seen in film. Happy End (2017) Para muy incondicionales del cine de Michael Haneke. ‘Happy End’ talks back to almost all of 75-year-old Haneke’s previous films, so much so that it feels like a career epilogue. The critics at Metacritic and Rotten Tomatoes seem to like "Happy End" quite a lot but it has only gathered 5 different movie award nominations and has won nothing. No lo parece. La película airea los trapos sucios de una familia burguesa de Calais. El director ha decidido esta vez no destapar del todo el tarro de las esencias para mostrarse más sutil que en otras ocasiones ¿Cosas de la edad? 5. stars 4 out of 5 stars. Still riding the wild success of the The Threepenny Opera, Brecht and Weill reunited for Happy End. 'Happy End' ha sido calificada de autoparodia o de contemplación vacua de Haneke del ombligo propio, y posiblemente, desde un punto de visto objetivo, sea cierto. So let's end the review in the similar style: "Happy End" is a good example of why even creative minds should retire at some point, instead of continuing to work till they die. There is the horror of death combined with a Thanatos-like longing for its deliverance – one line in particular shows how Happy End has been inspired by the climactic moment of his previous film, Amour. Happy End begins with Lucca, a successful student on track to follow her father’s footsteps into law. Vea reseñas y calificaciones de reseñas que otros clientes han escrito de Happy End en Amazon.com. Todo, cómo no, con planos estáticos, diálogos en off y una mirada voyerista. Happy End can be considered a pretentious, somber, provocative and certainly ambitious film. Por Desirée De Fez. One character’s face is in fact never shown clearly at all – a diabolically apposite device. Often Haneke’s cinema is a cousin to conventional horror, conventional thrillers. But there is something irresistible about the director’s hostile precision and the way in … But the genre is that of Haneke’s own invention. There is the distinctive preoccupation with surveillance and video recording as technologically unsparing moral reproaches to what we choose not to see in our own behaviour. Feliz, tal vez. He is suffering from incipient dementia, and is waited on like a dispossessed Shakespearean king by the family’s Moroccan servants Rachid (Hassam Ghancy) and Jamila (Nabiha Akkari) – who are periodically subject to racist condescension. Los acólicos del director encontrarán referencias a "Amour", al peso de la tecnología que veíamos en "Caché (Escondido)" y a los parentescos rotos, crudelísimos incluso, que se colaban en nombres como "La pianista". ¿Te ha resultado interesante y/o útil esta crítica? La familia vive en el Calais actual como podría tratarse de otra ciudad, en otra época. [Full Review in Spanish] This is the eerily self-possessed and computer-savvy Ève (Fantine Harduin) whose mother is now terribly ill in hospital after a drug overdose, the cause of which is queasily unclear. Además, los supuestamente terribles secretos familiares son tratados con una superioridad moral por parte del director que nos hace alejarnos de la obra. Con frecuencia las señales de la felicidad externa y perceptible, los indicios del encumbramiento, aparecen cuando en realidad todo camina ya hacia el ocaso. This household is clenched with fear and anxiety. And you can understand why I, a Japanese rock hater in my adolescence bought this album, released in 1970. This is a black comedy of pure sociopathy. Happy End Sport Bar, Patong: See 9 unbiased reviews of Happy End Sport Bar, rated 4 of 5 on Tripadvisor and ranked #536 of 789 restaurants in Patong. Happy End is the most recent and brilliant chapter of an ideological and cultural journey on the decadency of the bourgeois society in Europe. /. Happy End is just hard to watch. There’s an honesty and realism I find in  Happy End  that American films with similar themes lack. It was released in the United States on 22 December 2017 by Sony Pictures Classics. Happy End es una película dirigida por Michael Haneke con Isabelle Huppert, Jean-Louis Trintignant, Mathieu Kassovitz, Fantine Harduin, Toby Jones .... Año: 2017. And Haneke combines this with a new interest in the affectless visual texture of social-media livestreaming, instant messaging, and YouTube supercuts. The narrative sometimes takes insidious little leaps forward, allowing us to register with a lurch the awful things that have been passed over. Of course, to see people like Huppert, Kassovitz and Trintignant (who once again has come out of retirement to work with Haneke) delivering great performances is hardly news—they are among the great French actors, after all. Quizá como metáfora de algo, Haneke ya está jugando con nosotros, convirtiéndonos en “voyeurs”, uno de sus pasatiempos favoritos. And behind all this, the refugees trudge the streets of Calais, waiting to make another attempt at the tunnel. 4. Happy End: Not very Happy End - See 104 traveler reviews, 34 candid photos, and great deals for Liptovsky Mikulas, Slovakia, at Tripadvisor. While Happy End will most likely be eclipsed by Haneke’s own formidable shadow in the eventual endless comparisons of what has come before, this is still wickedly superb social satire, and the little bit of sugar evident in his latest formulation only allows the lacerations to cut deeper. It is almost a genre movie. Happy End Movie Review. Happy End is a satirical nightmare of haute-bourgeois European prosperity: as stark, brilliant and unforgiving as a halogen light. Happy End review: even with a Sia number, Michael Haneke's latest outrage feels shockingly familiar 3. 3 de octubre de 2017. Título original: Happy End. Anne herself is getting engaged to the British lawyer handling a new UK deal: Lawrence, played by Toby Jones. 5 años de espera desde su último film “Amor”con el que consiguió El Oscar, la palma de oro, el globo de oro, el Cesar etc. Isabelle Huppert plays Anne Laurent, effectively the chatelaine of a magnificent house and estate in Calais, having taken over the lucrative family construction and transport business from her ageing father Georges (Jean-Louis Trintignant). Happy End is far from Haneke's best work, yet it still succeeds in forcing audiences to confront -- and uncomfortably consider -- the dark side of human nature. Hay temas que Haneke ya había tratado con maestría en sus obras anteriores: el suicidio en El séptimo continente, las fantasías sexuales de La pianista... Ni siquiera el que parecía el tema principal, los refugiados, se representa como debería, reducido a una escena que utiliza a los inmigrantes de forma anecdótica, sin implicación del director en el problema. Happy End is the latest from Michael Haneke, an uncompromising filmmaker whose work is sometimes brilliant and sometimes hard to watch, and sometimes both, but not this time. It closed after seven performances. Una muerte, una agresión física, una infidelidad, un accidente laboral, dos intentos de suicidio, varias confesiones terribles y un final imposible de olvidar. But it is a tiny, almost microscopic incursion, a nasty little assault that perhaps belongs to the schoolyard, in keeping with the register of malign absurdity. Happy End is a satirical nightmare of haute-bourgeois European prosperity: as stark, brilliant and unforgiving as a halogen light. The Austrian director returns to many of his classic themes in a stark, unforgiving and gripping satire on bourgeois Europeans and the people who serve them, Last modified on Thu 30 Nov 2017 10.28 GMT. Cannes Film Review: ‘Happy End’ If there weren’t already a film called 'Loveless' in competition at Cannes, that would have made an apt title for Michael Haneke's cynical 'Amour' follow-up. © 2002-2021 Filmaffinity - Movieaffinity | Filmaffinity es una página de recomendación de películas y series, y es un medio totalmente independiente cuya principal prioridad es la privacidad y seguridad de los datos de sus usuarios. Happy End: Happy End: Amazon.es: Música. Sinopsis: La película gira en torno a una familia burguesa que posee una empresa en Calais, al lado de los campamentos donde viven miles de refugiados. One scene shows the entire cast, at a grand family party, listening to a musical performance which – even without what we know about the musician – would be preposterous, reeking with imposture and deceit. Inevitably, perhaps, this comes from Huppert. And the final images got something between a laugh and a wince. Poco a poco, el rompecabezas se va componiendo. Happy End review – gallows humour for all the family. Una muerte, una agresión física, una infidelidad, un accidente laboral, dos intentos de suicidio, varias confesiones terribles y un final imposible de olvidar. — First review of this album — It's funny, that this album "Happy End (aka Yudemen)" was my second Japanese rock album in those days I'd been immersed in British and American rock scene. He’s concocted a plot just busy enough to distract from these worn cynicisms and a set of characters too enigmatic to dismiss as mere chess pieces off the bat, but by the end, Happy End reveals itself as something vacuous and cold, a bizarrely seductive pseudo-thriller lacking a … Critics Consensus. Happy End is a Haneke mega mix, and the haters are very much gonna hate. Napalm review – Claude Lanzmann's gripping account of erotic encounter in North Korea, This article was amended on 21 May to correct an error in the standfirst regarding the director’s nationality. Happy End. It has an … Así podría resumirse "Happy End", una película que funciona como compendio de toda la filmografía de Michael Haneke y al mismo tiempo como una autoparodia de su estilo. Feliz, tal vez. The movie rehearses almost all of Haneke’s classic themes and visual ideas: family dysfunction, inter-generational revenge, the poisonous suppression of guilt and the return of the repressed. It is not a new … Política de privacidad / condiciones de uso. El director no renuncia a su sello en este retrato disfuncional de una familia ya de por sí bastante disfuncional. 'HAPPY END' tiene la frialdad y crueldad de Haneke, pero en esta ocasión, aborda demasiados temas con la burguesía como fondo, y le queda algo deslavazado el asunto. Lo que sucede es que eso no es necesariamente malo: como observador de la realidad, Haneke ha acabado incluyéndose dentro de ese amplio panorama que observa, y plantea 'Happy End' como un greatest hits de sus temas recurrentes. However, she is mistakenly accused of a crime and sentenced to do community service at a local hospice. 8/10. Save Michael Haneke's Happy End. Read full review Of course, with a Haneke movie, we are waiting a final flourish of violence or shock. Dicho así, no puede parecer más apetecible, pero el resultado no convence. Igual de aquí unos años urge una reconsideración de Happy End, una película que nos inquieta a la vez que nos divierte, como pasa casi siempre con los retratos agrios de la clase burguesa. Tal vez preconizando una metáfora posterior. Aun así tiene buenos momentos, que como siempre es su cine, dejan impronta a la que volver. Happy End is a 2017 drama film written and directed by Michael Haneke.It stars Isabelle Huppert and Jean-Louis Trintignant, who had also played daughter and father in Haneke's 2012 film Amour.It was selected to compete for the Palme d'Or in the main competition section at the 2017 Cannes Film Festival. It is also as gripping as a satanically inspired soap opera, a dynasty of lost souls. Happy End is a three-act musical comedy by Kurt Weill, Elisabeth Hauptmann, and Bertolt Brecht which first opened in Berlin at the Theater am Schiffbauerdamm on September 2, 1929. And yet when it came, the entire audience in my screening gave a dismayed yelp. There is comedy in Happy End, of the most glacial sort. The final images of the movie may intend an echo of Samuel Beckett’s Happy Days, and the unusual presence of a British actor, and the seaside location, made me wonder if Haneke, like Alain Resnais, had conceived an interest in that often underestimated master of middle class horror: Alan Ayckbourn. It is perhaps not top-notch Haneke but Happy End is an intermittently gripping film about loveless people in a joyless world. En “Happy end” nos encontramos con un Haneke deliberadamente menor, un Haneke menos Haneke que de costumbre, pero a fin de cuentas, un Haneke. Anne’s drunken deadbeat son Pierre (Franz Rogowski), supposedly a site supervisor, has through negligence allowed a catastrophic accident which puts the firm in line for a huge civil suit. 2017 Drama Film Happy End Movie Review. It is not a new direction for this film-maker, admittedly, but an existing direction pursued with the same inspiration as ever. It is unmistakably his work, presented with his usual masterly compositional flair, a mosaic of horror, filmed by cinematographer Christian Berger in crystal-clear light, often with icily detached long-shot camera positions. No se profundiza en la trama de cada personaje, durante casi dos horas saltamos de un miembro de la familia a otro sin que tengamos la sensación de avanzar en el relato. It includes a social criticism and simultaneously a look at … In 1977 it premiered on Broadway, where it ran for 75 performances. Michael Haneke’s new film finds dark wit in assisted suicide, overdoses and the refugee crisis. 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