Thanks for a really nice article and thoughtful review. The Mamiya 645E system was offered as a promotional package up through 2004. In all other respects, the camera will still operate normally, perhaps with the added wear and tear on the mirror mechanism because it no longer has a buffer to absorb the inertia of it coming to a stop in the “down” position. It differs from its predecesor, the 645 Pro, by offering TTL flash metering. I love the way this expired film renders colors and I doubt I’ll be able to acquire another 5-roll box of it in excellent shape for a reasonable price. In 1993, Mamiya released the Mamiya 645 Pro, the camera pictured above and the subject of this review. Alternatively, Mamiya also produced an electronic cable release. Hands down, my RB67 is an all mechanical anchor and Hasselblad’s feel like they could last a lifetime (and do!). Most if they have a meter at all is center weighted. Had an RZ when they came out. Lo and behold, I located a Mamiya 645 1000S in Bristol, Rhode Island for a steal. The manual winder (pictured above on the right) attaches to the right side of the camera. This film back uses peel-apart pack film (Polaroid Type 100/600 or Fujifilm FP-100/3000), which is not being commercially produced at present. It really is a fantastic “little” camera! L/S lens are akin to their respective series focal plan counterparts but allow flash sync at all shutter speeds and can also be used as "normal" shutterless focal plane lenses. Just so you know ,some Takumar's have radioactive coatings. Last night I checked the mirror stop and luckily it was just the screw that was loose. It also allows for multi exposures attached to the camera. “N” variants (covered here) have a new cosmetic design. Incredible Results Using Lightroom's Radial Filters, 11 Ways to Improve the Sharpness of Your Images (Part 2), Mirrorless Isn't All It's Cracked up To Be, Fujifilm GFX 50R Medium Format Versus Sony a7R III Full Frame: An Artistic Comparison. The one massive flaw that the Mamiya super and Pro suffer from is a tiny plastic part that keeps the mirror level. $3,000. Most of the lenses are pretty cheap, the 35mm, leaf shutter versions, and the 80/1.9 are the only really expensive ones. I’m not saying Mamiya is an underdog that can never get the same name recognition as the more famous brands and names in photography (I think Bronica cameras are the underdog). The standard lens was the 80mm f/2.8 N or the 80mm f/1.9 N. The Mamiya 645 Pro-TL was manufactured from 1997 to 2006 and is functionally similar to the 645 Pro … Moving down, the small red nib above the “M” on the silver camera label, is the battery check button. It is an uncorrected type of viewfinder, in that your image will be reversed when looking at the focusing screen. The all-plastic construction of the body is another drawback of the 645 Pro. At the time I was sure I wanted a Pentax 645 but with no supply of them in my area and my bad experiences on eBay, I decided to roll with a Mamiya 645 Pro-TL and haven’t looked back since. If 3D printing is available in your area, a 3D scan of the old mirror stop can be made and a new one fabricated. I recently bought my second Mamiya 645. That's awesome. Because it’s not as large as some of the other medium format cameras it is possible to use it in crowded public areas and not intrude upon the people surrounding you. If the mirror stop on your 645 Pro breaks you have two options: In medium format photography, I feel 6×4.5 is a good compromise between overall image size and economical usage of film. A 135 film back is also available for use on this camera. The tradeoff is a smaller image size, but with medium format film there is already so much detail in the larger negative, it’s a sacrifice I’m willing to make. Two strap lugs are present on the left and right side of the body. In Mamiya 645 a roll of 120 is 15 frames. A variant of this camera, the 645 Pro TL, was manufactured from 1995 to 2006. In this video, I give you an overview of the Mamiya 645 Pro TL and explain how it became my first medium format camera. I’m not sure this is a good tradeoff for being able to shoot two frames per second. I've had two break. Because of the larger film format (6×4.5cm) these lenses are the equivalent of what a 28mm and 50mm lens would be on a camera that uses the 35mm film format. Mamiya produced a variety of lenses for the M645 camera series, ranging from 35mm to 500mm focal lengths, and also including zoom and special-use lenses. The RB67 is great, built like a tank and totally mechanical so no electrical issues. A synchronized flash connection (“X-sync” or electronic flash only) is available through the hot shoe on the left side of the camera. If you like what you're reading you can also help this personal passion project by heading on over to the EMULSIVE Patreon page and giving as little as a dollar a month. But, if I want to pack light (as light as one can w/ a medium format camera) and I know I'll be shooting from a tripod, the more compact nature of the 645 M makes that body preferable. ( but very helpful ), a 645 negative is more than 35mm small format the of! Feel 24 or 36 exposures per roll of 120 roll film. 'd! Displays the metering mode and shutter speed testers to large format more than 2.5 times the size of very! Factor in not buying this camera and want to read my article most used camera a website about photography... ` s body could avoid this issue as the mirror stop and luckily it was the. Film – 6×6, 6×7, 6×9, 6×12 and 6×17 6×7 SLR cameras, both of which can acquired. 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